Truth or illusion, life or death... where are the boundaries when a person is plunged into madness? Inspired by Noh theatre, where all the roles, even the female ones, are performed by men, Benjamin Britten imagined Curlew River as the parable of a woman recounting her son's disappearance, her ‘madness’ gradually becoming the expression of an inner strength.
Silvia Costa imagined this piece as a diptych with Serbian composer Marko Nikodijević's world premiere as part of the opera creation laboratory, NOX (Nancy Opera Xperience). Substituting a female chorus for the male one, this work recounts the origins of the mysterious river: a woman digs into the earth with her hands and the tears she sheds give life to the river as a place to mourn her own fate.
The director, who also wrote the libretto, interweaves the two stories in a production inspired by the codes of Japanese theatre, where simplicity, abstraction and silence become powerful vectors of emotion.
Duration
1 h 30 with interval
Prices
5 - 85 €
Show in English and latin, surtitles
From 14 years
I Didn’t Know Where To Put All My Tears
World premiere on 29 March 2026 at Opéra national de Nancy-Lorraine
Silvia Costa
Marko Nikodijević
Curlew River, A Parabel for Church performance, chamber opera
First performed on 12 June 1964 at St Bartholomew's Church (Orford, Suffolk)
William Plomer, based on the Japanese play Noh, The River Sumida by Kanze Motomasa
Benjamin Britten
Opéra national de Nancy-Lorraine
Opéra de Rennes
Alphonse Cemin
Renaud Madore
Silvia Costa
Camille Assaf
Michele Taborelli
Marco Giusti
Simon Hatab
Rosabel Huguet
Zhengyi Bai
Mark Stone
Michael Mofidian
tba
Stephan Loges
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